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This is a list of theatrical animated cartoon shorts distributed by Metro-Goldwyn-Mayer which were not part of any other series such as Tom and Jerry, Droopy, Barney Bear, Screwy Squirrel, George and Junior, Spike and Tyke, Butch or Happy Harmonies. [1] All of these cartoons were produced in Technicolor.
• Never released theatrically due to MGM being unhappy with the story elements. [8] • Loose remake of The Ocean Hop. [8] • Ub Iwerks' Willie Whopper Blu-ray released by Thunderbean Animation [6] • Cartoons That Time Forgot: The Ub Iwerks Collection Vol. 1 DVD released by Image Entertainment. [4] August 12, 1933 [2] Flip the Frog: Pale-Face
Pages in category "Metro-Goldwyn-Mayer short films" The following 200 pages are in this category, out of approximately 317 total. This list may not reflect recent changes .
FROM‘s townspeople aren’t getting free anytime soon: MGM+ has renewed the sci-fi horror series for a third season, TVLine has learned. Season 3 is slated to debut next year. “The first two ...
Secret Level is an adult animated anthology series created by Tim Miller for Amazon Prime Video.It is produced by his Blur Studio with Amazon MGM Studios.Dave Wilson executive produces and serves as supervising director.
Filthy Gorgeous: The Bob Guccione Story: November 8, 2013 1 hour, 34 min: The Improv: 50 Years Behind the Brick Wall: December 6, 2013 58 min: Personal with Bill Rhoden: Grant and Calvin Hill: June 11, 2014 30 min: Back Issues: The Hustler Magazine Story: July 15, 2014 1 hour, 29 min: Altman: August 6, 2014 1 hour, 35 min: Personal with Bill ...
Metro-Goldwyn-Mayer Television, [4] previously known as MGM/UA Television, (common metonym: Lion [5]) is the television studio arm of the American film studio Metro-Goldwyn-Mayer (MGM), specializing in broadcast syndication and the production and distribution of television shows and miniseries.
The formation of Epix was announced on April 21, 2008, after individual negotiations between Paramount Pictures, MGM, and Lionsgate with Showtime to renew their existing film output deals broke down; each of the three studios disagreed with Showtime over the licensing fee rates for which they wanted Showtime to compensate them to allow future releases to air on the Showtime Networks services. [35]