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The music of Greece is as diverse and celebrated as its history.Greek music separates into two parts: Greek traditional music and Byzantine music.These compositions have existed for millennia: they originated in the Byzantine period and Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. [1]
Bolshevism was criticized by the Social Democrats. Thus, the famous Social Democrat Alexander Parvus wrote in 1918: [75] If Marxism is a reflection of the social history of Western Europe, refracted through the prism of German philosophy, then Bolshevism is Marxism, emasculated by amateurs and refracted through the prism of Russian ignorance.
Archytas provided a rigorous proof that the basic musical intervals cannot be divided in half, or in other words, that there is no mean proportional between numbers in super-particular ratio (octave 2:1, fourth 4:3, fifth 3:2, 9:8). [12] [14] Archytas was also the first ancient Greek theorist to provide ratios for all 3 genera. [1]
Musical scene with three women painted by the Niobid painter.Side A of a red-figure amphora, Walters Art Museum. Music played an integral role in ancient Greek society. Pericles' teacher Damon said, according to Plato in the Republic, "when fundamental modes of music change, the fundamental modes of the state change with t
Cultural Bolshevism (German: Kulturbolschewismus), sometimes referred to specifically as art Bolshevism, music Bolshevism or sexual Bolshevism, [1] was a term widely used by state-sponsored critics in Nazi Germany to denounce secularist, modernist and progressive cultural movements. The term is closely related to the Jewish Bolshevism ...
This style of music evolved from the ancient and the medieval Greek era and is still played today. [3] [4] The lyrics of Greek folk music are largely based on Demotic (folk) poetry (usually by anonymous lyricists) and consist of popular themes such as love, marriage, humor, death, nature, water, sea, and religion. [5]
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"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."