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Williams' one-woman play, Letters from a New England Negro (1992), was performed at the National Black Theater Festival in 1991 and at the Chicago International Theater Festival in 1992. [ 11 ] Williams wrote two picture books, Working Cotton (1992), which won the Caldecott Award of the American Library Association and a Coretta Scott King book ...
A publication by the United States Department of Agriculture lists the African goose, Roman goose (Tufted Roman), Pomeranian goose (Saddleback Pomeranian), and Chinese goose as the best breeds for guard duty. [8] [13] Chinese geese are said to be loud, and African geese both loud and large. [21] [2]
All Music Guide to the Blues: The Definitive Guide to the Blues. San Francisco, California: Backbeat Books. ISBN 0-87930-736-6. Harrison, Daphne Duval (1990). Black Pearls: Blues Queens of the 1920s. New Brunswick and London: Rutgers. ISBN 0-8135-1280-8. Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray.
The African Goose is one of two domestic goose breeds that derive from the wild species Anser cygnoides, the other being the Chinese, to which it is closely related. [9]: 364 [3] Domestication took place in north Asia, and birds of this type were later brought to Europe, possibly via Madagascar; [10] they were present in Britain before the end of the seventeenth century.
Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer.
Living Blues: The Magazine of the African American Blues Tradition is a bi-monthly magazine focused on blues music, and America's oldest blues periodical. [1] The magazine was founded as a quarterly in Chicago in 1970 [2] by Jim O'Neal and Amy van Singel as editors, and five others as writers. Among them were Bruce Iglauer and Paul Garon.
The book documents the effects of jazz and blues on American culture, at musical, economic, and social levels. It chronicles the types of music dating back to the slaves up to the 1960s. Blues People argues that "negro music"—as Amiri Baraka calls it—appealed to and influenced new America. According to Baraka, music and melody is not the ...
African-American music maintains the tradition of the African "praise song", which tells of the prowess (sexual and other) of the singer. First-person celebrations of the self provide the impetus for many of Wheatstraw's songs, and he sang changes on this theme with confidence, humour and occasional menace.