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For musicians, Harlem, New York's cabarets and nightclubs shined a light on black performers and allowed for black residents to enjoy music and dancing. However, some of the most popular clubs (that showcased black musicians) were exclusively for white audiences; one of the most famous white-only nightclubs in Harlem was the Cotton Club , where ...
Lawrence Gellert (1898-1979?), was a music collector, who in the 1920s and 1930s amassed a significant collection of field-recorded African-American blues and spirituals and also claimed to have documented black protest traditions in the South of the United States.
It was not until the 1930s and 1940s that many women jazz singers, such as Bessie Smith and Billie Holiday, were recognized as successful artists in the music world. [ 71 ] [ 72 ] Another famous female vocalist who attained stardom at the tail-end of the Jazz Age was Ella Fitzgerald, one of the more popular female jazz singers in the United ...
The stores white and black people shopped at were separate due to segregation, and the type of music available to white and black people varied. [ 7 ] Mainstream records during the 1890s and the first two decades of the 1900s were mainly made by and targeted towards white, middle class, and urban Americans. [ 7 ]
Relatively little has been written about sacred and liturgical jazz. In a 2013 doctoral dissertation, Angelo Versace examined the development of sacred jazz in the 1950s using disciplines of musicology and history. He noted that the traditions of black gospel music and jazz were combined in the 1950s to produce a new genre, "sacred jazz". [187]
For decades, artists of color in the Nashville-centered music world were largely excluded from popular venues and circuits, and labels divided their releases into records for white audiences and ...
From bold-colored scarves to the zoot suit in Harlem to the mass popularity of bold acrylic nails, Black culture in […]
In addition to the "jungle music" and plantation-themed interior, Hughes believed that Madden's idea of "authentic black entertainment" was similar to the entertainment provided at a zoo and that white "strangers were given the best ringside tables to sit and stare at the Negro customers - like amusing animals in a zoo."