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With Billy Breathes, it's the closest they got to making what I would say is a good stoner album. You know what I mean: you put on the CD, you fire up a big one and you just go down that road. There hadn't been a good stoner record since Dark Side Of The Moon. Billy Breathes got close. I keep telling Trey Anastasio we can make a better one."
"Free" is a song by Vermont-based jam band Phish, released as the first single from their 1996 album Billy Breathes.The track reached number 7 on the Billboard Adult Alternative Airplay chart, becoming their first song to reach the top 10 on that (or any) chart. [1]
Joy received generally favorable reviews upon its release, with a 65/100 critic score on Metacritic, based on nine reviews. [8] The New York Times commented that "Steve Lillywhite’s clear and ungimmicky production makes Joy sound like the band members onstage responding to one another," [9] while Billboard simply stated "Joy is a journey not to be missed."
The 97-year-old actor was praised by fans for his enthusiasm
The songs on A Picture of Nectar explore a variety of musical genres, including jazz, country, calypso, rock and roll and neo-psychedelia. [1] Tracks 2, 8, 9, and 14 are instrumentals. The song "Manteca" is a cover of the song by jazz trumpeter Dizzy Gillespie; in Phish's short version, the melody line is sung as a goofy nonsense phrase. [5] "
The Story of the Ghost is the seventh studio album by American rock band Phish, released by Elektra Records on October 27, 1998. The album features an emphasis on the jazz-funk influenced "cow-funk" style, which the group had been experimenting with in concert throughout 1997 and 1998.
Ukulele Songs is the second solo studio album by American singer and Pearl Jam frontman Eddie Vedder. It was released on May 31, 2011. [ 1 ] The album is composed of original songs and new arrangements of several standards.
The theme is set in its first three bars in minor sixth chords with an added major seventh. However, Strayhorn causes us to hear these harmonies as if they were whole-tone chords. He achieves this effect by two means: 1) through orchestrational and dynamic stressing of the three upper notes [and] 2) by setting these sixth chords in their third ...