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The Time Machine is the original motion picture soundtrack of the film of the same name, both released in 2002. It was composed by Klaus Badelt . A promotional edition contains more cues and alternate versions of some cues.
Music Machine II (AKA The Music Machine: All About Love) (1983) is a Christian children's album by Candle that is a continuation of the Music Machine album from 1977. It is set in Agapeland, and teaches children about Love. It features the characters Stevie and Nancy.
The Independent gave the compilation a mixed review, writing that "the most interesting tracks here are the cover versions of songs like 'Guitarman' (Elvis done in the vein of Dylan), 'Little Red Rooster', and Leonard Cohen's 'Tower of Song', whose exhausted languor makes a surprisingly smooth transfer to Mary Chain mode".
Goat is the second studio album by the Jesus Lizard, released in 1991. The album was produced by Steve Albini. Its cover art, by bassist David Wm. Sims, at first glance resembles a flame, but is actually a topless woman with a close-up image of nails projected onto her body. The rear of the album, and several panels of the enclosed CD booklet ...
The restored version has been jokingly dubbed Ecce Mono ('Behold the Monkey'; ecce is Latin for 'behold', whereas mono is Spanish for 'monkey', while in Latin, it would be simius) in an "online rush of global hilarity", [14] [15] [16] and the incident was compared to the plot of the 1997 film Bean. [17]
Outrage exploded online after Pope Francis inaugurated a nativity scene, designed by two artists from Bethlehem and featuring a keffiyeh wrapped around Jesus’s manger, in St. Peter’s Square on ...
A TikTok search shows more than 10.5 million views on videos dedicated to "purple monkey bubble gum tree" and mentions of the song have increased 191% on Reddit parenting communities in 2023.
The story begins with Karl's violent arrival in the Holy Land of AD 28, where his time machine, a womb-like, fluid-filled sphere, cracks open and becomes useless. In numerous interpolated memories and flashbacks, Moorcock tells the parallel story of Karl's troubled past in 20th century London, to explain why he is willing to risk everything to meet Jesus.