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Here are the Billboard magazine Hot 100 number one hits of 1968. That year, 10 acts hit number one for the first time, such as John Fred and His Playboy Band, The Lemon Pipers, Paul Mauriat, Otis Redding, Bobby Goldsboro, Archie Bell & the Drells, Herb Alpert, Hugh Masekela, Jeannie C. Riley, and Marvin Gaye.
Year-End Hot 100 singles of 1968. The Beatles had three songs on the Year-End Hot 100, including "Hey Jude", the number one song of 1968. Gary Puckett & The Union Gap had four songs on the Year-End Hot 100, the most of any artist in 1968. Aretha Franklin had three songs on the Year-End Hot 100. This list is of Billboard magazine's Top Hot 100 ...
A one-hit wonder is a musical artist who is successful with one hit song, but without a comparable subsequent hit. [1] The term may also be applied to an artist who is remembered for only one hit despite other successes (such as "Take On Me" by a-ha in the United States, [2] [3] [4] which topped a Rolling Stone magazine poll to find the top one-hit wonder).
200 number-one albums of 1968. These are the Billboard magazine number-one pop albums of 1968. Simon & Garfunkel had two number one albums, The Graduate soundtrack and Bookends, which spent a combined 16 consecutive weeks at number one.
This is a list of songs that have peaked at number one on the Billboard Hot 100 and the magazine's national singles charts that preceded it. Introduced in 1958, the Hot 100 is the pre-eminent singles chart in the United States, currently monitoring the most popular singles in terms of popular radio play, single purchases and online streaming.
Chart history. Jeannie C. Riley 's "Harper Valley PTA" also topped the Billboard Hot 100 and went on to inspire a film and a TV show. Merle Haggard had three number ones in 1968. Glen Campbell achieved his first number one in 1968 with "I Wanna Live". Hot Country Singles number ones of 1968. Issue date.
8:23. 3 February. "I Wonder What She's Doing Tonight". Tommy Boyce and Bobby Hart. [5] 8:24. 10 February. "Baby Now That I've Found You". The Foundations.
A hit is attributed to the main artist given credit. If a single is released by two artists with the conjunction 'and' or 'versus' then both artists have equal billing (e.g. Yolanda Be Cool & DCUP, who have also been credited as Yolanda Be Cool vs. DCUP) [1] and are both counted as having a number one (in this case "We No Speak Americano") whereas if the conjunction between two artists is ...