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A man recording a voice-over. Voice-over (also known as off-camera or off-stage commentary) is a production technique used in radio, television, filmmaking, theatre, and other media in which a descriptive or expository voice that is not part of the narrative (i.e., non-diegetic) accompanies the pictured or on-site presentation of events. [1]
Screenplay: The Foundations of Screenwriting ("A Step-by-Step Guide from Concept to Finished Script") is a non-fiction book and filmmaking guide written by Syd Field. First published in 1979, Screenplay covers the art and craft of screenwriting. Considered a bestseller shortly after its release, to date it has sold millions of copies.
A step outline (also informally called a beat sheet or scene-by-scene [1]) is a detailed telling of a story with the intention of turning the story into a screenplay for a motion picture. The step outline briefly details every scene of the screenplay's story, and often has indications for dialogue and character interactions.
In this example, Adrian's voice precedes the scene out in the woods. The "V.O." means "Voice Over" and the "PRELAP" indicates that Adrian's dialogue should be heard before the next scene begins. Adrian, in this example, might not even be in the scene the other characters are in when the prelap occurs.
A director may write up a shooting script themselves, a script that guides the team in what to do in order to carry out the director's vision of how the script should look. The director may ask the original writer to co-write it with them or to rewrite a script that satisfies both the director and producer of the film/TV show.
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A scriptment borrows characteristics from both a regular screenplay and a film treatment and is comparable to a step outline: the main text body is similar to an elaborate draft treatment, while usually only major sequences receive scene location headings (), which is different from the extensive slug line formatting in standard screenplays, where every new scene or shot begins with an INT./EXT.
Every screenplay and teleplay begins with a thought or idea, and screenwriters use their ideas to write scripts, with the intention of selling them and having them produced. [5] In some cases the script is based on an existing property, such as a book or person's life story, which is adapted by the screenwriter.
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