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Burnishing is a form of pottery treatment in which the surface of the pot is polished, using a hard smooth surface such as a wooden or bone spatula, smooth stones, plastic, or even glass bulbs, while it still is in a leathery 'green' state, i.e., before firing.
Black Burnished Ware Category 2 (BB2) is greyer in color and has a finer texture when compared with BB1. [4] It is a “hard, sandy fabric, varying in colour from dark-grey or black with a brown or reddish brown core and a reddish-brown, blue-grey, black or lighter ('pearly grey') surface.” [5] The clay body can contain black iron ore, mica, and quartz, all in a matrix of sediment. [5]
Black-on-black ware pot by María Martinez of San Ildefonso Pueblo, circa 1945.Collection deYoung Museum María and Julián Martinez pit firing black-on-black ware pottery at P'ohwhóge Owingeh (San Ildefonso Pueblo), New Mexico (c.1920) Incised black-on-black Awanyu pot by Florence Browning of Santa Clara Pueblo, collection Bandelier National Monument Wedding Vase, c. 1970, Margaret Tafoya of ...
Horse hair vase. Horse hair raku is a method of decorating pottery through the application of horsehair and other dry carbonaceous material to the heated ware. The burning carbonaceous material creates smoke patterns and carbon trails on the surface of the heated ware that remain as decoration after the ware cools.
Dark faced burnished ware or DFBW is the second oldest form of pottery developed in the western world, the oldest being Dotted wavy line pottery from Africa. [ 1 ] [ 2 ] It was produced after the earliest examples from the independent phenomenon of the Jōmon culture in Japan and is predominantly found at archaeological sites in Lebanon ...
Pottery is the process and the products of forming vessels and other objects with clay and other raw materials, which are fired at high temperatures to give them a hard and durable form. The place where such wares are made by a potter is also called a pottery (plural potteries).
Studio pottery Dame Magdalene Anyango Namakhiya Odundo DBE (born 1950) is a Kenyan -born British studio potter , who now lives in Farnham , Surrey . [ 1 ] Her work is in the collections of notable museums including the Art Institute of Chicago , The British Museum , The Metropolitan Museum of Art , and the National Museum of African Art .
Tell el-Yehudiyeh Ware is characterised by its distinctive mode of decoration, applied after slipping and burnishing, and created by repeatedly "pricking" the surface of the vessel with a small sharp object to create a large variety of geometric designs ('puncturing' according to some writers - not a completely accurate description of the process, as it appears to have been the potters ...