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In music pieces, con sord means "with mute" in Italian, and senza sord means "without mute". The mute is a device that is typically made of rubber, and serves to dampen the vibrations on string instruments. On the cello, it can be clipped on the bridge when needed, and can be taken off and attached to the strings below the bridge when not in ...
The bowing technique of placing the fingers on the bow stick above the frog became more widespread as the French valued consistent, beautiful tones above all else. Thus, the French all shared the same techniques for the cello. For the Austro-Germans, their techniques varied from locations inside the Holy Roman Empire.
Senza sordino: without sourdine (mute) With mute removed Spiccato: separated, distinct; standing out: With a stringed instrument, played by bouncing the bow lightly on the strings Staccato: detached: A form of musical articulation in which notes are distinct and separated from each other by short gaps Staccatissimo: very detached: Forcefully ...
senza Without senza misura Without measure senza replica Without repetition: "when a movement, repeated in the first instance, must, on the Da Capo, be played throughout without repetition." [14] senza sordina or senza sordine (plural) Without the mute. See sordina. serioso Seriously serrez (Fr.) Getting faster sforzando (sf or sfz)
A rubber two-hole Tourte mute on the bridge of a cello A cello with a Tourte mute (the circular black piece) in off position, and a wolf eliminator (the cylindrical metal piece) Mutes for string instruments of the violin family work by adding mass to the bridge, [58] or occasionally by dampening the strings behind the bridge. [3]
Spiccato - Technique that uses a bowing style that leaves the string clearly to produce a light "bouncing" sound. Despite major misconceptions, violinists play this technique with a horizontal stroke; the "bouncing" motion is only due to the natural resistance of the violin string, resistance of the bow hair, and light weight of the stroke.
It is in particular because of the logical structure of the exercises that they have entered the standard learning of the cello since their publication in 1919. In addition to his Daily Exercises, Feuillard is known for his Etudes du Jeune Violoncelliste (Studies of the young cellist) [ 4 ] and eight volumes of pedagogical methodology, La ...
With the cello, in the "neck" positions (which use just less than half of the fingerboard, nearest the top of the instrument), the thumb rests on the back of the neck. However, in thumb position, the thumb usually rests alongside the fingers on the string and the side of the thumb is used to play notes, along with the other left-hand fingers.