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ISBN 0-8021-1412-1; Opus Pistorum, (from the Latin, Work of the Miller), written as pornography-for-hire in 1941 (see Anaïs Nin), was retitled in its second edition Under the Roofs of Paris, published by the Estate of Henry Miller. New York: Grove Press, 1983. ISBN 0-8021-3183-2
Henry Valentine Miller (December 26, 1891 – June 7, 1980) was an American novelist, short story writer and essayist. He broke with existing literary forms and developed a new type of semi-autobiographical novel that blended character study, social criticism, philosophical reflection, stream of consciousness, explicit language, sex, surrealist free association, and mysticism.
The Rosy Crucifixion, a trilogy consisting of Sexus, Plexus, and Nexus, is a fictionalized account documenting the six-year period of Henry Miller's life in Brooklyn as he falls for his second wife June and struggles to become a writer, leading up to his initial departure for Paris in 1928.
Op. 19,2 Suite No. 4 "Suite chinoise" for string quartet (1920) Op. 22 bis Bergslags-serenad for string quartet or string orchestra (published ca. 1950) Op. 27 Sonata for cello (or violin/viola/horn) and piano in B minor (1925, horn version 1955)
In music, Op. 19 stands for Opus number 19. Compositions that are assigned this number include: Barber – Symphony No. 2; Bartók – The Miraculous Mandarin; Beethoven – Piano Concerto No. 2; Castelnuovo-Tedesco - Cantico; Chausson – Poème de l'amour et de la mer; Chopin – Boléro; Dohnányi – Suite in F-sharp minor; Elgar ...
The collegia played a critical sociological role in organizing Roman society, particularly among slaves and the other lower classes. [2] Concurrently, much of the history of collegia were left unrecorded by Roman historians, as the aristocratic authors of the time were predominantly uninterested in chronicling the labor union activities, cult ...
Blumenstück (Flower Piece) in D-flat, Op. 19, is a piano work by Robert Schumann, written in 1839. Blumenstück is a series of short, connected and thematically related episodes, [1] of which the second forms a recurring refrain while undergoing changes in both key and mood. [2]
Note that Bartók started three times anew with opus numbers, here indicated with "(list 1)", "(list 2)" and "(list 3)" respectively. The pieces from the third listing are by far best known; opus lists 1 and 2 are early works. The year of composition and instrumentation (including voice) are included.