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In Buddhism, the vajra (Standard Tibetan: dorje) is the symbol of Vajrayana, one of the three major schools of Buddhism. Vajrayana is translated as "Thunderbolt Way" [17] or "Diamond Way" and can imply the thunderbolt experience of Buddhist enlightenment or bodhi. It also implies indestructibility, [18] just as diamonds are harder than other ...
There are practices of Vajravārāhī in all schools of Tibetan Buddhism, and in the Kagyu school Vajravarahi is one of its main yidam practices. Vajravarahi is depicted as a naked, often red-skinned maiden in a dancing posture, with a kapala (skull cup) in her left hand and a khatvanga on her left shoulder, while her right hand holds a curved ...
It is also a name of Indra, because "Vajra" means diamond, as well as the thunderbolt, or anything hard more generally. In the evolution of Indian Buddhism, Buddha Vajradhara gradually displaced Samantabhadra, who is the 'Primordial Buddha' in the Nyingma, or 'Ancient School.' However, the two are metaphysically equivalent. Achieving the 'state ...
In Tibetan Buddhism the Vajrasattva root tantra is Dorje Gyan, or "Vajra Ornament". [4] Vajrasattva practices are common to all of the five schools of Tibetan Buddhism and are used both to purify obscurations so that the Vajrayana student can progress beyond Ngondro practices to the various yoga practices of tantra and also to purify any broken ...
The phurba (Tibetan: ཕུར་པ or ཕུར་བ, Wylie: phur pa or phur ba; alternate transliterations: phurpa, phurbu, purbha, or phurpu) [needs IPA] or kīla (Sanskrit Devanagari: कील; IAST: kīla) is a three-sided peg, stake, knife, or nail-like ritual implement deeply rooted in Indo-Tibetan Buddhism and Bön traditions.
Vajrakilaya is a significant Vajrayana deity who transmutes and transcends obstacles and obscurations. Padmasambhava achieved realisation through practicing Yangdag Heruka (Tibetan: yang dag he ru ka), [2] but only after combining it with the practice of Vajrakilaya to clean and clear obstacles and obscurations.
The female tulku who was the abbess of Samding Monastery, on the shores of the Yamdrok Tso Lake, near Gyantse, Tibet was traditionally a nirmāṇakāya emanation of Vajravārāhī (Tibetan: Dorje Phagmo). [20] The lineage started in the 15th century with the princess of Gungthang, Chökyi Drönma (Wylie: Chos-kyi sgron-me)(1422–1455). [21]
In a painted form, usually in white colour "crossed-vajra" is held to the left raised above the accompanying Bodhisattvas but when painted in blue colour the left hand holds a double vajra; [24] his Garuda form is with wings and claws or with human head with a beak or head with wings fully spread (his painted form is in blue colour). he may be ...