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The glockenspiel is limited to the upper register and typically covers between 2 + 1 ⁄ 2 and 3 octaves, though certain professional models may reach up to 3 + 1 ⁄ 2 octaves. [4] The glockenspiel is often a transposing instrument and sounds two octaves above the written pitch, though this is sometimes remedied by using an octave clef. [5]
From the mid/late-1980s on, Peart utilized MIDI trigger pads to trigger sounds sampled from various pieces of acoustic percussion that would otherwise consume far too much stage area, such as a marimba, harp, temple blocks, triangles, glockenspiel, orchestra bells, tubular bells, timpani and vibra-slap as well as other, more esoteric percussion ...
A percussion section with pitched percussion (tubular bells, background), auxiliary percussion (crash cymbals, suspended cymbal, snare drum and bass drum) and timpani (foreground) in use. The percussion section is one of the main divisions of the orchestra and the concert band. It includes most percussion instruments and all unpitched instruments.
J. C. Deagan, Inc. is a former musical instrument manufacturing company that developed and produced instruments from the late 19th- to mid-20th century. It was founded in 1880 by John Calhoun Deagan and initially manufactured glockenspiels.
They sound one octave down from the glockenspiel, or one octave above concert pitch and generally have a range of 2 + 1 ⁄ 2 octaves. Song bells have been made by various makers at different times but were first introduced by J. C. Deagan, Inc. in 1918 and manufactured by the company until 1924. [2] [3]
Tubular Bells 2003 is the 22nd studio album by English musician Mike Oldfield, released on 26 May 2003 by Warner Music Spain.It is a digital re-recording of his 1973 album Tubular Bells, released almost 30 years earlier.
In tubular bells, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 9 2:11 2:13 2, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch". [3]
The 1969 release, "Is That All There Is?", became Lee's highest chart entry in more than ten years, peaking at number 11 in the US, number one on the US Adult Contemporary chart, number six in Canada and number one on Canada's Adult Contemporary chart. Singles by Lee continued being released through various labels into the 1970s.
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