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The Getaway is a 1972 American action thriller film based on the 1958 novel by Jim Thompson. The film was directed by Sam Peckinpah , written by Walter Hill , and stars Steve McQueen , Ali MacGraw , Ben Johnson , Al Lettieri , and Sally Struthers .
Sam Peckinpah's 1972 film version of The Getaway starred Steve McQueen and Ali MacGraw. [1] Roger Donaldson's 1994 film version of The Getaway starred Alec Baldwin and Kim Basinger. In both films the surreal ending in the hellish domain of El Rey is discarded for a happy ending in which Doc and his wife ultimately escape to freedom. [2]
The Get-Away, a 1941 remake of the 1935 crime film Public Hero No. 1; The Getaway, a 1972 film adaptation of the 1958 novel, starring Steve McQueen and Ali MacGraw; The Getaway, a 1994 film adaptation of the 1958 novel, starring Alec Baldwin and Kim Basinger
"The Getaway did fare better with contemporary reviewers." What is meant by contemporary here? It seems you mean retrospective reviewers or such, I'd think a contemporary reviewer would be someone who reviewed it upon its release. Done; You call Beynon a "politician" in the intro, but "businessman" in the plot summary. Could be consistent. Done
The Getaway is a 1994 American action thriller film directed by Roger Donaldson. The screenplay was written by Walter Hill and Amy Holden Jones, based on Jim Thompson's 1958 novel of the same name. The film stars Alec Baldwin, Kim Basinger, Michael Madsen, James Woods and Jennifer Tilly.
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Getaway was widely panned by critics.Review aggregator Rotten Tomatoes reports that 3% of 144 critics gave the film a positive review, with an average rating of 2.73/10. The site's critical consensus states: "Monotonously fast-paced to the point of exhaustion, Getaway offers a reminder of the dangers in attempting to speed past coherent editing, character development, sensible dialogue, and an ...
In an analysis of the visual approach of Kiss Me Deadly, a late and self-consciously stylized example of classic noir, critic Alain Silver describes how cinematographic choices emphasize the story's themes and mood. In one scene, the characters, seen through a "confusion of angular shapes", thus appear "caught in a tangible vortex or enclosed ...