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Poems on Slavery is a collection of poems by American poet Henry Wadsworth Longfellow in support of the United States anti-slavery efforts. With one exception, the collection of poems were written at sea by Longfellow in October 1842. [1] The poems were reprinted as anti-slavery tracts two different times during 1843.
Most of the works are from the period between 1760 and 1810, reflecting growth in public awareness about slavery. [1] Most of the poetry is antislavery, with a few exceptions including verse by John Saffin and James Boswell, who defended slavery as an institution. [1] Published in 2002 by Yale University Press, a revised edition was released in ...
An excerpt from the poem is on a wall of the Contemplative Court, a space for reflection in the Smithsonian's National Museum of African American History and Culture. The excerpt reads: "I ask no monument, proud and high to arrest the gaze of the passers-by; all that my yearning spirit craves is bury me not in a land of slaves." [8]
Lucy Terry Prince, often credited as simply Lucy Terry (c. 1733–1821), was an American settler and poet. Kidnapped in Africa and enslaved , she was taken to the British colony of Rhode Island . Her future husband purchased her freedom before their marriage in 1756.
"Middle Passage" follows the transatlantic slave trade and is focused on the events surrounding the mutiny on La Amistad in July 1839. [3] Hayden sought to redefine African-American history through his poem. [4] [5] The original version of the poem has some typographical errors and mistakes in how it was set. In revising the poem, Hayden made ...
Although the Emancipation Proclamation declared that all enslaved people should be free in 1863, there were still enslaved people in many states awaiting their freedom. On June 19, 1865, Texas ...
The first African American to publish a book in the South; the only slave to earn a significant income by selling his poems; the only poet of any race to produce a book of poems before he could write; and the only slave to publish two volumes of poetry while in bondage and another shortly after emancipation." [2]
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. [1]