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The poetic style of the Heavenly Question is markedly different from the other sections of the Chuci collection, with the exception of the "Nine Songs" ("Jiuge"). The poetic form of the Heavenly Questions is the four-character line, more similar to the Shijing than to the predominantly variable lines generally typical of the Chuci pieces, the vocabulary also differs from most of the rest of ...
Zhu Xi from the Southern Song dynasty and the scholar from Ming dynasty Hu Yinglin believed that the book was written by a curious person during the Warring States period.Hu Yinglin recorded in his Shaoshi Mountain Room Pen Cluster that the book was by "a curious man in the Warring States period", based on the books Tale of King Mu, Son of Heaven and Tian Wen.
The Chinese idea of the universal God is expressed in different ways. There are many names of God from the different sources of Chinese tradition. [17] The radical Chinese terms for the universal God are Tian (天) and Shangdi (上帝, "Highest Deity") or simply, Dì (帝, "Deity"). [18] [19] There is also the concept of Tàidì (太帝, "Great ...
Tian (天) is one of the oldest Chinese terms for heaven and a key concept in Chinese mythology, philosophy, and religion. During the Shang dynasty (17th―11th century BCE), the Chinese referred to their highest god as Shangdi or Di (帝, 'Lord'). [1] During the following Zhou dynasty, Tian became synonymous with this figure.
However, he is kind enough to allow the couple to reunite once a year on the 七夕 (the 7th Evening) -- later known as the traditional Chinese Qixi Festival—by crossing the Milky Way. [ 1 ] In memory of this story, ancient Chinese astrologers named two prominent stars that stand at a distance from each other 牛郎, "cowherd man," and 織女 ...
The Investiture of the Gods, also known by its Chinese names Fengshen Yanyi (Chinese: 封神演義; pinyin: Fēngshén Yǎnyì; Wade–Giles: Fêng 1-shên 2 Yan 3-yi 4; Jyutping: Fung 1 San 4 Jin 2 Ji 6) and Fengshen Bang (封神榜), [note 1] is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (shenmo) genre written during the Ming dynasty ...
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).
The Three Great Emperor-Officials (Chinese: 三官大帝; pinyin: sānguān dàdì), Sanguan, [1] or the Three Officials [1] are three of the highest shen in some branches of religious Taoism, and subordinate only to the Jade Emperor (玉帝 yùdì). The Three Great Emperor-Officials are the Heavenly Official (天官 tiānguān), the Earthly ...