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The Sharngadhara-paddhati is one of the best known collections of the subhashita-genre poems. [2] It contains a description of Hatha Yoga. James Mallinson calls the text's analysis of yoga "somewhat confused", noting that it splits Hatha Yoga into two types, namely Gorakhnath's and Markandeya's, and then equates Hatha Yoga with Gorakhnath's six limbs of yoga, which are asana, pranayama ...
The samhita, pada and krama pathas can be described as the natural recitation styles or prakrutipathas. The remaining eight modes of chanting are classified as complex recitation styles or Vikrutipathas as they involve reversing of the word order. The backward chanting of words does not alter the meanings in the Vedic (Sanskrit) language. [5]
Sarangadhara is the third Tamil film based on the epic of the same name by Gurajada Apparao, following a 1935 film and the 1936 film Naveena Sarangadhara. [3] [4] The screenplay was written by S. D. Sundharam, cinematography was handled by N. C. Balakrishnan and editing by V. S. Rajan. [5]
Samhita is a Sanskrit word from the prefix sam (सम्), 'together', and hita (हित), the past participle of the verbal root dhā (धा) 'put'. [4] [5] The combination word thus means "put together, joined, compose, arrangement, place together, union", something that agrees or conforms to a principle such as dharma or in accordance with justice, and "connected with". [1]
The film begins at Raja Mahendravaram, ruled by Rajaraja Narendra, who resides with his Queen Ratnangi and son Sarangadhara. He has two ministers: Singanna, a good Samaritan, and Ganganna, a diabolic.
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Sarangadhara is a 1935 Tamil film directed by V. S. K. Padham under the Lotus Pictures, filmed at Wadia Movietone Studios of JBH and Homi Wadia brothers in Mumbai.It stars Kothamangalam Seenu and T. M. Saradhambal.