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If the design is located on the piece, it is authentic sea glass, since artificial glass will typically not have that particular design. [11] Sea glass usually comes from broken glass bottles or other household items, so pieces found on beaches will not be perfectly shaped, unlike artificial sea glass, often sold as beach glass. [11]
A Japanese glass fishing float. Glass floats were used by fishermen in many parts of the world to keep their fishing nets, as well as longlines or droplines, afloat.. Large groups of fishnets strung together, sometimes 50 miles (80 km) long, were set adrift in the ocean and supported near the surface by hollow glass balls or cylinders containing air to give them buoyancy.
10–20 mm pieces of tumble-polished opalite, an artificial glass. Opalite is a trade name for synthetic opalescent glass and various opal and moonstone simulants. Other names for this glass product include argenon, sea opal, opal moonstone, and other similar names. [1] [2] It is also used to promote impure varieties of variously colored common ...
Reef Ball Foundation, Inc. is a 501(c)(3) non-profit organization that functions as an international environmental non-governmental organization.The foundation uses reef ball artificial reef technology, combined with coral propagation, transplant technology, public education, and community training to build, restore and protect coral reefs.
Unlike the eventual Glass Flower, a private commission to a single University's museum, the Blaschka glass sea creatures were a global enterprise; and not just for museums and other such educational institutes, for "as popular interest in the history and sciences of the natural world burgeoned during the latter half of the 19th century, the sea ...
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An electrified reef is an artificial reef where a small low voltage electric charge is applied to a sub-sea metallic structures that causes limestone to precipitate onto a metal frame onto which coral planulae can then attach and grow; the process also speeds up post-attachment growth.
n November 1954, 29-year-old Sammy Davis Jr. was driving to Hollywood when a car crash left his eye mangled beyond repair. Doubting his potential as a one-eyed entertainer, the burgeoning performer sought a solution at the same venerable institution where other misfortunate starlets had gone to fill their vacant sockets: Mager & Gougelman, a family-owned business in New York City that has ...