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Lady Nijō (後深草院二条, Go-Fukakusain no Nijō) (1258 – after 1307) was a Japanese noblewoman, poet and author. She was a concubine of Emperor Go-Fukakusa from 1271 to 1283, and later became a Buddhist nun. [1]
An incubus (English plural: incubuses, Latin plural: incubi) is a male demon in human form in folklore that seeks to have sexual intercourse with sleeping women; the corresponding spirit in female form is called a succubus. Parallels exist in many cultures.
Xmal Deutschland's 1982 song "Incubus/Succubus" was one of their most popular songs. Lords of Acid's 1994 Album Voodoo-U features cover art with succubuses. In 1997 Norwegian symphonic black metal band Dimmu Borgir has a song called "A Succubus In Rapture" on their album Enthrone Darkness Triumphant, which describes this creature.
A succubus (pl.: succubi) is a female demon or supernatural entity in folklores who appears in dreams to seduce men, mostly through sexual activity. According to some folklore, a succubus needs male semen to survive; repeated sexual activity with a succubus will result in a bond being formed between the succubus and the person; and a succubus ...
Nure-onna (濡女, "wet woman") is a Japanese yōkai which resembles a reptilian creature with the head of a woman and the body of a snake. They are also seen as a paranormal phenomenon at sea under the name of nureyomejo. In legends, they are often said to consume humans, but they have no single appearance or personality.
In European mythology and literature, a cambion (/ ˈ k æ m b i ən /) is the offspring produced from a human–demon sexual union, typically involving an incubus or a succubus. In the word's earliest known uses, it was interchangeable with changeling .
They often appear in Japanese legends, folktales, fairy tales, and performing arts, and famous among them are Momiji (from The Legend of Momiji and Momijigari) from Togakushi, Shinano Province (now the town of Kinasa, Nagano, Nagano Prefecture) and Suzuka Gozen from the Suzuka Mountains.
Classical court literature, which had been the focal point of Japanese literature up until this point, gradually disappeared. [ 13 ] [ 11 ] New genres such as renga , or linked verse, and Noh theater developed among the common people, [ 14 ] and setsuwa such as the Nihon Ryoiki were created by Buddhist priests for preaching.