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Ancient Sanskrit drama had a highly stylized nature with an emphasis on spectacle, where music, dance and gesture combined "to create a vibrant artistic unit with dance and mime being central to the dramatic experience." Sanskrit dramas were known as natya, derived from the root word nrit (dance), characterizing them as spectacular dance-dramas.
Some of the earliest-surviving fragments of Sanskrit drama date from c.200 BCE. [11] [12] The Mahābhāṣya by Patañjali contains the earliest reference to what may have been the seeds of classical Sanskrit drama. [5] This treatise on grammar from the 2nd century BCE provides a feasible date for the beginnings of theatre in India. [5]
The drama-dance involves extensive stage movements and exacting footwork, wherein the underlying drama is mimed by expressive gestures of hand (mudras), eye and face movements. [ 75 ] [ 14 ] The expressive style is through a sign language that follows the classical pan-Indian Sanskrit texts such as Natya Shastra , Abhinaya Darpana and ...
[1] [2] Like in the areas of music and dance, the Indian theatre is also defined by the dramatic performance based on the concept of Nritya, which is a Sanskrit word for drama but encompasses dramatic narrative, virtuosic dance, and music.
The core team of performance artists train for the dance-drama, but the actual performance attracts impromptu participants from the audience and villagers. [4] This art form is a part of the Hindu culture, found for many gods and goddesses, but those of Rama, Durga (as Durga Puja) and Krishna (as Rasalila ) are the most popular and annual ...
Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
Fugdi is a folk dance performed by the womenfolk of some communities of Konkanies in the Konkan coastal region of Goa and Maharashtra states during the Hindu religious festivals like Ganesh Chaturthi and Vrata or towards the end of other dances like Dhalo. According to certain historical facts, this dance style is said to have been created from ...
Nritya is broadly categorized as one of three parts of Sangita, the other two being gita (vocal music, song) and vadya (instrumental music). [3] [4] [5] These ideas appear in the Vedic literature of Hinduism such as the Aitareya Brahmana, and in early post-Vedic era Sanskrit texts such as the Natya Shastra, Panchatantra, Malvikagnimitra and Kathasaritsagara.