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Advaita Vedanta refers to the three meanings that all words and sentences carry – the primary or direct meaning, the implied meaning and the suggested meaning. The implied meaning, known as Lakshana, is of three kinds – Jahallakshana which consists in discarding the direct meaning in favour of the indirect or implied meaning, Ajahallakshana in which the direct meaning is not completely ...
Lakshaṇa gītaṃ: the sāhityaṃ (lyrics), instead of praising God, enumerates in so many words, the lakshana of the raga, in which it is composed-giving among other details, its vakra svarā, graha, nysa, aṃśa svarā and its parent raga (mēḷakarta rāga). Most lakshaṇa gītaṃs have been composed by Purandara Dasa. [1]
Dasharupakam (Daśarūpakam) is a treatise on the structure and rules (Lakshana or Prakarana grantha) for popular theatre and drama presentations of the time, written by Dhananjaya in the 10th century.
Lakshmana (Sanskrit: लक्ष्मणा, romanized: Lakṣmaṇā) or Lakshana is the seventh of the Ashtabharya, [1] the eight principal queen-consorts of Hindu god Krishna, an avatar of the god Vishnu and the king of Dvaraka in the Dvapara Yuga (epoch).
Venkatamakhin defines its lakshana thus: pūrṇō māḻavagouḻākhyaḥ sa grahō gīyatē sadā. Mayamalavagowla is the 3rd raga in the 3rd chakra, Agni. Its mnemonic name is Agni-Go. Its mnemonic phrase is sa ra gu ma pa dha nu. [1]
Mohanam is a raga in Carnatic music (musical scale of South Indian classical music). It is an audava rāga (or owdava rāga, meaning pentatonic scale). It is usually described as a janya rāga of Harikamboji (28th Melakartha Raga).
Madhyamavati (madhyamāvati) is a raga in Carnatic music (musical scale of South Indian classical music). It is an audava rāga (or owdava rāga, meaning pentatonic scale), as it does not have all the seven musical notes ().
Hamsadhvani (meaning "the cry of the swan" [1]), is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an audava rāgam (or owdava rāga, meaning pentatonic scale). [2]