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The traditional design is used in cloisters, triforiums, and stained glass windows of famous buildings such as Notre-Dame, Salisbury Cathedral, and Regensburg Cathedral. [27] Stone cut-out hexafoils are displayed in a plate tracery style in the Salisbury Cathedral, creating a pattern along the triforium.
Stained Glass- an Illustrated History, Bracken Books, ISBN 1-85891-157-5; Painton Cowen (1985). A Guide to Stained Glass in Britain, Michael Joseph, ISBN 0-7181-2567-3; Husband, TB (2000). The Luminous Image: Painted Glass Roundels in the Lowlands, 1480-1560, Metropolitan Museum of Art; Lawrence Lee, George Seddon, and Francis Stephens (1976).
Vase (1872) manufactured by the Venice & Murano Glass & Mosaic Co. (Victoria and Albert Museum) Millefiori (Italian: [ˌmilleˈfjoːri]) is a glasswork technique which produces distinctive decorative patterns on glassware. The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers). [1]
Barnard Flower (died July or August 1517) was a Flemish glazier. He was King's Glazier to Henry VII and Henry VIII from 1505 to 1517, the first non-Englishman to hold this office. Flower came to work in England in the late 15th century. By 1496 he was working for Henry VIII providing glass for Woodstock and then Sheen Palace the following
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
He met the perfume creator François Coty and in 1908 he pioneered in the design of perfume bottles, small glass symbols of modernity, which became a new genre of glass art. One example was the sepia stained glass bottle for 'Ambre Antique' Perfume. Another original design by Lalique was a sugar bowl made of sepia stained glass, wrapped in ...
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