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Prologues have long been used in non-dramatic fiction, since at least the time of Geoffrey Chaucer's Canterbury Tales, although Chaucer had prologues to many of the tales, rather than one at the front of the book. The Museum of Eterna's Novel by the Argentine writer Macedonio Fernandez has over 50 prologues by the author. Their style varies ...
Preface to the poem Milton by William Blake. A preface (/ ˈ p r ɛ f ə s /) or proem (/ ˈ p r oʊ ɛ m /) is an introduction to a book or other literary work written by the work's author. An introductory essay written by a different person is a foreword [contradictory] and precedes an author's preface.
The first and last books of Diane Duane's Rihannsu series of Star Trek novels pair quotations from Lays of Ancient Rome with imagined epigraphs from Romulan literature. F. Scott Fitzgerald 's The Great Gatsby carries on title page a poem called from its first hemistich "Then Wear the Gold Hat," purportedly signed by Thomas Parke D'Invilliers .
In a book of technical writing, the introduction may include one or more standard subsections: abstract or summary, preface, acknowledgments, and foreword. Alternatively, the section labeled introduction itself may be a brief section found along with abstract, foreword, etc. (rather than containing them).
Time by William S. Burroughs, with illustrations by Brion Gysin, is a saddle stapled pamphlet described in its publisher's forward as "a book of words and pictures." [1] It is an example of Burroughs' use of the cut-up technique, with which he began experimenting in the fall of 1959. [2]
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The opposite is a prologue—a piece of writing at the beginning of a work of literature or drama, usually used to open the story and capture interest. [2] Some genres, for example television programs and video games , call the epilogue an "outro" patterned on the use of "intro" for "introduction".
Others have dismissed the book on grounds that Booker is too rigid in fitting works of art to the plot types above. For example, novelist and literary critic Adam Mars-Jones wrote, "[Booker] sets up criteria for art, and ends up condemning Rigoletto , The Cherry Orchard , Wagner , Proust , Joyce , Kafka and Lawrence —the list goes on—while ...