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Quillwork was used to create and decorate a variety of Native American items, including those of daily usage to Native American men and women. These include clothing such as coats and moccasins, accessories such as bags and belts, and furniture attachments such as a cradle cover. [14]
Awaska was made from llama or alpaca wool and had a high thread count (approximately 120 threads per inch). Thick garments made from awaska were worn as standard amongst the lower classes of the Andean highlands, while lighter cotton clothing was produced on the warmer coastal lowlands.
She was commissioned by the Canadian Museum of History to craft a traditional outfit and gloves for their Dene clothing collection in 1988. [5] Hardisty taught traditional craftwork at the local school through the 1990s. In 1999, Hardisty led a quillwork workshop in Fort Simpson with Jane Grossetete and Caroline Bonnetrouge. [6]
Fogarty creates traditional Plains clothing and accessories, such as purses, pipe bags, dolls, cradle boards, rifle scabbards, and knife cases – all adorned with beadwork or porcupine quill embroidery. [3] Her quillwork is labor-intensive. She gathers her own quills from freshly killed porcupines, then washes and dyes them.
2 Beadwork and quillwork artists. 3 Ceramic artists and potters. 4 Diverse cultural artists. 5 Fashion designers. 6 Glass artists. 7 Installation and new genres artists.
Chilkat clothing features long wool fringe that sways when the wearer dances. [2] Traditionally chiefs would wear Chilkat robes during potlatch ceremonies. [4] Chilkat weaving is one of the most complex weaving techniques in the world. [5] It is unique in that the artist can create curvilinear and circular forms within the weave itself.
Buffalo hides, as well as deer, elk, and other animal hides, are painted. Clothing and robes are often brain-tanned to be soft and supple. Parfleches, shields, and moccasin soles are rawhide for toughness. In the past, Plains artists used a bone or wood stylus to paint with natural mineral and vegetable pigments.
This is a list of visual artists who are Indigenous peoples of the Americas, categorized by primary media. Mestizo and Métis artists whose indigenous descent is integral to their art are included, as are Siberian Yup'ik artists due to their cultural commonalities with Alaskan Yup'ik people.
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