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Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.
Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
The Fender Bassman was the first amplifier to standardize the tone stack design. Dubbed the 5F6-A from the Fender model number of the amp which first used it, this tone stack offered the performer the ability to control the amplifier's low, mid, and high frequency response independently. [3
It was modeled after a 1959 5F6-A "tweed" (a misnomer: the cloth is actually twill) Fender Bassman [3] and, unlike the Peavey Classic Amplifiers of the 1970s (which were covered in twill-patterned vinyl) the 4-10 was covered in authentic cotton twill, the first since Fender and Gibson stopped production of twill-covered amplifiers in 1960. [1]
For all of its differences when compared with the Bassman, the sound of the JTM45 is still described as "like a tweed Fender", and is favored for blues and rock rather than for hard rock and metal. [12] The JTM 45 delivers a smooth Marshall sound with a warm bass response due to the EL34/KT66 valves. [citation needed]
Fender Bronco [10] (Lives on through Squier as a bass guitar) Fender Bullet [11] (lives on through Squier) Fender Coronado [12] Fender Cyclone (lives on through Squier) Fender Esquire; Fender HM Strat USA/Japan; Fender Marauder; Fender Musicmaster; Fender Performer; Fender Prodigy [13] Fender Showmaster; Fender Starcaster [14] (lives on through ...
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The Mark I had two channels: The "Input 2" channel, voiced like the Fender Bassman, and the high gain "Input 1" channel, which produced the overdriven "Boogie lead" sound used most notably by Carlos Santana on side 2 of Caravanserai, and by The Rolling Stones' Keith Richards and Ron Wood, who used the amps live and in the studio from 1977 until ...
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