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Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Western classical music pieces are called ostinatos. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
A lick in guitar playing consists of a short sequence of notes which form a phrase. One famous example of this concept is "The Lick", which is a commonly used jazz phrase based on the minor scale. In shredding, licks become more complex by including advanced guitar techniques. Playing licks at fast tempos also adds complexity.
Author Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excitement of a rock song." [ 4 ] BBC Radio 2 , in compiling its list of 100 Greatest Guitar Riffs, defined a riff as the "main hook of a song", often beginning the song, and is "repeated ...
Music lovers in the UK have done their best to finally put to rest the endless debate of what is the greatest guitar riff in music history. The voting was sponsored by BBC Radio 2 for a just over ...
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
"The terms riff and fill are sometimes used interchangeably by musicians, but [while] the term riff usually refers to an exact musical phrase repeated throughout a song", a fill is an improvised phrase played during a section where nothing else is happening in the music. [2] While riffs are repeated, fills tend to be varied over the course of a ...
"Strange Magic" is a song written by Jeff Lynne and performed by Electric Light Orchestra (ELO). It was originally released on their 1975 Face the Music album.. The 'weeping' guitar lick was provided by keyboardist Richard Tandy while Jeff Lynne played a 12-string acoustic guitar fed through a phase shifter.
Give me that guitar. I handed him his clear Dan Armstrong Plexiglass guitar, he put it on, kicked the song up in tempo, and just put the vibe right on it. Instantly, it went from being this laconic mess into a real groove. And I thought, Wow. THAT'S what he does. [5] The song has a heavy brass section that punctuates the guitar riff after the ...
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