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American Turk's cap lily, Lilium superbum, Georg Dionysius Ehret (1708–70), About 1750–53, Watercolor and gouache on vellum V&A Museum no. D.589-1886 [1] Banksia coccinea from Ferdinand Bauer's 1813 work Illustrationes Florae Novae Hollandiae. Botanical illustration is the art of depicting the form, color, and details of plant species. They ...
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Watercolor by Mary Daisy Arnold of the Manhattan variety of strawberries (Fragaria species), 1911. The U.S. Department of Agriculture's Pomological Watercolor Collection is an archive of some 7,500 watercolor botanical illustrations created for the USDA between the years 1886 and 1942 by around five dozen artists. [1]
Manual of the Mustard Seed Garden (芥子園畫傳, Jieziyuan Huazhuan), sometimes known as Jieziyuan Huapu (芥子園畫譜), is a printed manual of Chinese painting compiled during the early-Qing Dynasty. Many renowned later Chinese painters, like Qi Baishi, began their drawing lessons with the manual.
An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based ...
The Great Piece of Turf [1] (German: Das große Rasenstück) is a watercolor painting by Albrecht Dürer created at his Nuremberg workshop in 1503. It is a study of a seemingly unordered group of wild plants, including dandelion and greater plantain. The work is considered one of the masterpieces of Dürer's realistic nature studies.
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The same year the Art Gallery of Ontario hosted an "in-house" retrospective to salute the Society's 50th anniversary. [11] In 1976 the Society was able to organize a member exchange exhibition with Japan [12] that was exhibited at the Tokyo Metropolitan Art Museum. This particular show, with the cooperation of a number of government and ...
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