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A late antique oil lamp showing a human figure identified as Christ. Early Christian and late antique oil lamps were diverse. One of the most notable ones were Mediterranean sigillata (“African”) lamps. The motifs were largely geometric, vegetative and graphic (monograms), with figural depiction of animals and human figures, often Christ. [13]
One notable example of their collaboration is the Peacock Necklace (circa 1906), designed by Louis Comfort Tiffany and crafted by Munson. The necklace showcases opals, amethysts, sapphires, and demantoid garnets, all set in intricate cloisonné enamel on gold. [23]
A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
Gaslight Square (also known as Greenwich Corners) [1] was an entertainment district in St. Louis, Missouri active in the 1950s and 60s, covering an area of about three blocks at the intersection of Olive and Boyle, near the eastern part of the current Central West End and close to the current Grand Center Arts District.
"Younger clients frequently ask for vintage items that can embrace the wear and tear of their family.” Related: 7 Must-Have Coffee Tables for Your Living Room, According to Interior Designers ...
The Crusie lamp consists of two lamp pans, one above the other. Fuel drip from the upper lamp pan fell into the lower pan minimizing oil/grease mess below the lamp. In the evolution to the Betty lamp, replacing the upper lamp pan with a metal wick holder inside the lower pan reduces the amount of metal needed for the lamp.
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