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English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
French Gothic stained glass windows were an important feature of French Gothic architecture, particularly cathedrals and churches built between the 12th century and 16th century. While stained glass had been used in French churches in the Romanesque period , the Gothic windows were much larger, eventually filling entire walls.
Understanding and interpreting the windows can be difficult in an era out of contact with medieval theology, teachings and sermons commenting on the Gothic cathedrals' stained glass windows. However, the presence of the famous 12th-century School of Chartres suggests that the precise placing of the windows had meaning for their designers.
Stained glass windows were a prominent feature of the Gothic church and cathedral from the beginning. Abbot Suger, who considered that light was a manifestation of the divine, installed colorful windows in the ambulatory of Basilica of Saint Denis, and they were featured in all the major cathedrals in France, England and the rest of Europe. In ...
The lower two meters (6 ft 7 in) of stained glass was removed to facilitate working light. Some of the glass was used to replace broken glass in other windows, and other panes were put on the market. [13] Beginning in 1835, scholars, archeologists and writers demanded that the church be preserved and restored to its medieval state.
Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows.
The 13th century saw the introduction of a new kind of window, with grisaille, or white glass, with a geometric pattern, usually joined with medallions of stained glass. These windows allowed much more light into the cathedral, but diminished the vividness of the stained glass, since there was less contrast between the dark interior and bright ...
The Rayonnant period coincided with the development of the band window, in which a central strip of richly coloured stained glass is positioned between upper and lower bands of clear or frosted glass, which allowed even more light to flood in, and a comparable increase in the amount of ornament, both on the inside and the exterior.
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