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The Poppy Field near Argenteuil (French: Coquelicots) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, completed in 1873. Following its donation to the French state in 1906 by Étienne Moreau-Nélaton, it was housed successively in the Louvre, Musée des Arts Décoratifs and the Jeu de Paume.
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
The painting resembles Claude Monet’s Poppy Field of 1881 but has a much higher horizon, with the poppies dominating the space of the composition. [10] Like many of his poppy paintings, the work juxtaposes brilliant red poppy blooms against alfalfa green, developing what Van Gogh called a “motif in red and green.”
Claude Monet: Poppy Field ; Artist: Claude Monet (1840–1926) Alternative names: Oscar-Claude Monet. Description: French painter and graphic artist:
Monet's Le Palais Ducal, and his 1880 work, Poppy Field near Vétheuil, formerly in the collection of Max Emden, have been the object of restitution claims. [ 134 ] [ 135 ] "La Mare, Snow Effect" ("La Mare, effect de neige") was the object of a settlement with the heirs of Richard Semmel .
Champ d'avoine aux coquelicots is a 1890 landscape painting by the French Impressionist Claude Monet. It is now on display in the Musée d'Art moderne et contemporain of Strasbourg, France. Its inventory number is 55.974.0.683. [2] Champ d'avoine aux coquelicots belongs to a series of five views of fields around Giverny painted in the summer of ...
Woman with a Parasol – Madame Monet and Her Son, sometimes known as The Stroll (French: La Promenade) is an oil-on-canvas painting by Claude Monet from 1875. The Impressionist work depicts his wife Camille Monet and their son Jean Monet in the period from 1871 to 1877 while they were living in Argenteuil, capturing a moment on a stroll on a windy summer's day.
Claude Monet painted a series of paintings of the island-monastery of San Giorgio Maggiore in Venice. They were begun in 1908 during the artist's only visit to the city. One of the best known is San Giorgio Maggiore at Dusk, which exists in two versions. Monet completed his paintings of Venice at home in France [1] and in
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