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National Gallery of Art, Washington D.C. The Three Women of Gand: 1812 oil on canvas 132 × 105 Louvre Museum, Paris Portrait of Madame David: 1813 oil on canvas 73 × 60 National Gallery of Art, Washington D.C. Apelles Painting Campaspe in the Presence of Alexander the Great: 1814 oil on canvas 96.5 × 136 Palais des Beaux-Arts de Lille, Lille ...
www.jacqueslouisdavid.org Archived 16 June 2018 at the Wayback Machine 101 paintings by Jacques-Louis David; Jacques-Louis David at Olga's Gallery; Jacques-Louis David in the "History of Art" Archived 5 February 2007 at the Wayback Machine; smARThistory: Death of Socrates Archived 2 June 2007 at the Wayback Machine; Sterling and Francine Clark ...
Gallery Portrait of ... Jacques-Louis David: New Perspectives. University of Delaware Press, 2006. Kiefer, Carol Solomon . ... Art and National Identity in Western ...
The Funeral of Patroclus (1778) by Jacques-Louis David. The Funeral of Patroclus is a 1778 oil-on-canvas painting by the French artist Jacques-Louis David.It shows the funeral of Patroclus during Trojan War, with his body and Achilles at the foot of the pyre and Hector resting on his chariot on the right.
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The Tennis Court Oath (Le Serment du Jeu de paume) by David. The Tennis Court Oath (French: Le Serment du Jeu de paume) is an incomplete painting by the French Neoclassical artist Jacques-Louis David, painted between 1790 and 1794 and showing the titular Tennis Court Oath at Versailles, one of the foundational events of the French Revolution.
Jacques-Louis Davids Napoleon im Washingtoner Tuilerien-Portrait. ART-Dok. Publikationsplattform Kunst- und Bildwissenschaften der Universität Heidelberg. pp. 1– 11. Antoine Schnapper David, 1748–1825, catalogue de l'exposition Louvre-Versailles 1989 ed. Réunion des musées nationaux, Paris, 1989 – Sur le tableau No 206 et 207 pages 474 ...
The work had tremendous resonance for the time. The Revolution had already begun, and all paintings shown at the Salon had to be approved for political acceptability. David's 1788 portrait of Antoine Lavoisier had already been refused a display because the famed chemist was a potentially divisive figure, tied as he was to the Ancien Régime. [3]