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Blue Willow by Doris Gates (1940) [10] is a children's novel, a realist fictional account of the Dust Bowl and the Great Depression years that has been called "The Grapes of Wrath for children". [11] The eponymous Blue Willow plate, a gift from her great-grandmother, is the prized possession of Janey Larkin, the young daughter of a migrant ...
Queens which originally was known for its English bone china but now is a modern eclectic collection based on consumer trend, whilst James Sadler and Sons Ltd, best known for its teapots, was established in 1882. It is perhaps best known globally though for its Blue Willow collection which is its oldest pattern and most collectible.
The Japanese were early admirers of Chinese blue and white and, despite the difficulties of obtaining cobalt (from Iran via China), soon produced their own blue and white wares, usually in Japanese porcelain, which began to be produced around 1600. As a group, these are called sometsuke (染付).
By 1878, Toyo had established a business in New York selling Japanese antiques and other goods, including pottery. The company was renamed Morimura Brothers in 1881. By the 1890s, the company had shifted from retail to wholesale operations and started working on design improvements for the pottery and porcelain ware, which had become one third ...
Buffalo China, Inc., formerly known as Buffalo Pottery, was a company founded in 1901 in Buffalo, New York as a manufacturer of semi-vitreous, and later vitreous, china. [1] Prior to its acquisition by Oneida Ltd. in 1983, [ 2 ] the company was one of the largest manufacturers of commercial chinaware in the United States.
European traders then turned to Japanese export porcelain instead, though much of that was still traded through Chinese ports. [12] However, the Chinese had reasserted their dominance by the 1740s. Dutch 17th-century still-life painting by Jan Jansz. Treck, showing late Ming blue and white porcelain export bowls, 1649
Western materials such as bone china were introduced and developed using Nikko’s own advanced technologies. Today all aspects of production from glaze formulation to mould making are manufactured in-house by Nikko’s team of craftspeople. The resulting pieces are some of the finest quality ceramics in Japan.
In 1942, [6] after three years of experimentation, Gladding, McBean & Co. entered the fine china market with 14 patterns. The china was considered to have a medium to high cost. [7] The glaze for the fine china line was developed by Max Compton with the shapes and patterns designed by Mary K. Grant, the design staff, and by contract designers.
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