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The Seven Joys of the Virgin (or of Mary, the Mother of Jesus) is a popular devotion to events of the life of the Virgin Mary, [1] arising from a trope of medieval devotional literature and art. The Seven Joys were frequently depicted in medieval devotional literature and art. The seven joys are usually listed as: The Annunciation; The Nativity ...
The Seven Joys of Mary (1480), Hans Memling "The Seven Joys of Mary" (Roud # 278) is a traditional carol about Mary's happiness at moments in the life of Jesus, probably inspired by the trope of the Seven Joys of the Virgin in the devotional literature and art of Medieval Europe.
Franciscan Crown Rosary. The Franciscan Crown (or Seraphic Rosary) is a rosary consisting of seven decades in commemoration of the Seven Joys of the Virgin, namely, the Annunciation, the Visitation, the Nativity of Jesus, the Adoration of the Magi, the Finding in the Temple, the Resurrection of Jesus, and finally, either or both the Assumption of Mary and the Coronation of the Virgin.
Calling Mary "our mother in the order of grace", Lumen gentium referred to Mary as a model for the Church and stated that: [57] By reason of the gift and role of divine maternity, by which she is united with her Son, the Redeemer, and with His singular graces and functions, the Blessed Virgin is also intimately united with the Church.
A Life of Christ has many more scenes that overlap with the Life of Mary, as the Scrovegni Chapel demonstrates. Albrecht Dürer produced a highly popular and influential series of 19 scenes in woodcut. [1] Hans Memling's so-called Seven Joys of the Virgin. In fact this is a later title for a Life of the Virgin cycle on a single panel.
The Crown recalls the Seven Joys of Mary and how she responded to the grace of God in her life. These Seven Joys overlap with the Joyful and Glorious Mysteries of the Dominican Rosary. In addition to developing this Marian devotion, the Franciscans are credited with adding the final words to the Hail Mary: "Jesus.
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"The Seven Joys of Mary" (Traditional) The earliest version of this song is from the fourteenth century ("Joyes Fyve"). Also collected by Cecil Sharp in 1918 from Mrs Nichols. "My Husband's Got No Courage In Him" (Traditional) A tragic but bawdy song that was first recorded by Jeannie Robertson. "Singing The Travels" (Traditional)