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(a) Musical score of a C-major scale. (b) Chromagram obtained from the score. (c) Audio recording of the C-major scale played on a piano. (d) Chromagram obtained from the audio recording. In Western music, the term chroma feature or chromagram closely relates to twelve different pitch classes.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
The root of the tonic triad forms the name given to the key, so in the key of C major the note C can be both the tonic of the scale and the root of the tonic triad. However, the tonic can be a different tone in the same scale, and then the work is said to be in one of the modes of that scale. [2]
See also List of symphonies in C major.) Many masses and settings of the Te Deum in the Classical era were in C major. Mozart and Haydn wrote most of their masses in C major. [3] Gounod (in a review of Sibelius' Third Symphony) said that "only God composes in C major". Six of his own masses are written in C. [4]
That same E might be harmonized with a C major chord (C – E – G), making it the third of the chord. This concept extends to ninths (E would act as the 9th if harmonized with a Dm7 chord – D – F – A – C – E), ♯ fifths (E would act as ♯ 5 on an A ♭ augmented chord – A ♭ – C – E), and a wide array of other options.
16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament: 17-tet scale on C. Play ⓘ — — — 17 — — 19 equal temperament: 19-tet scale on C. Play ⓘ — — — 19 — — 21 equal temperament: 21-tet scale on C. Play ⓘ — — — 21 — — Acoustic scale or Lydian dominant scale: Acoustic scale on C. Play ⓘ 1 2 3 ...
Dp stands for Dominant-parallel. The word "parallel" in German has the meaning of "relative" in English. G major and E minor are called parallel keys. The G major chord and the E minor chord in the key of C major are called parallel chords in the Riemann system. —
C-major and G-major are keys whose 1st scale degrees are separated by a musical fifth (the pattern of relations is represented in the circle of fifths" for major keys). A-minor and C-major share the same notes of the scale but with a different tonic (so-called relative minor key, i.e. C-major and A-minor). And C-major and C-minor have the same ...