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Treble clef C major scale, treble clef. Play ⓘ The only G-clef still in use is the treble clef, with the G-clef placed on the second line. This is the most common clef in use and is generally the first clef learned by music students. [2] For this reason, the terms "G-clef" and "treble clef" are often seen as synonymous.
For example, the treble clef puts the G above middle C on the second line. The interval between adjacent staff positions is one step in the diatonic scale. Once fixed by a clef, the notes represented by the positions on the staff can be modified by the key signature or accidentals on individual notes.
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The alto recorder in F, also known as a treble (and, historically, as consort flute and common flute) is a member of the recorder family. Up until the 17th century the alto instrument was normally in G 4 instead of F 4. [1] [2] Its standard range is F 4 to G 6. The alto is between the soprano and tenor in size, and is correspondingly ...
Recorder parts in the Baroque were typically notated using the treble clef, although they may also be notated in French violin clef (G clef on the bottom line of the staff). In modern usage, recorders not in C or F are alternatively referred to using the name of the closest instrument in C or F, followed by the lowest note.
Treble describes tones of high frequency or high pitch, ranging from 6 kHz to 20 kHz, [1] comprising the higher end of the human hearing range. In music, this corresponds to high notes. The treble clef is often used to notate such notes. [2] Treble sound is the counterpart to bass sound.
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See also List of symphonies in C major.) Many masses and settings of the Te Deum in the Classical era were in C major. Mozart and Haydn wrote most of their masses in C major. [3] Gounod (in a review of Sibelius' Third Symphony) said that "only God composes in C major". Six of his own masses are written in C. [4]