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An architectural drawing or architect's drawing is a technical drawing of a building (or building project) that falls within the definition of architecture.Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building ...
Cross hipped: The result of joining two or more hip roof sections together, forming a T or L shape for the simplest forms, or any number of more complex shapes. Satari: A Swedish variant on the monitor roof; a double hip roof with a short vertical wall usually with small windows, popular from the 17th century on formal buildings.
A brick-built electrical substation in Birmingham, England, with a soldier course running the width of the building, immediately above the door Masonry coursing can be arranged in various orientations, according to which side of the masonry unit is facing the outside and how it is positioned.
A design or figure commonly used in architectural ornaments and design patterns, including art nouveau. Syrian arch In American architecture, esp. Richardsonian Romanesque, an archway that begins at the ground, rather than being set upon a supporting pedestal. [C.f. Richardsonian Romanesque: Syrian arch] Systyle
A "face brick" is a higher-quality brick, designed for use in visible external surfaces in face-work, as opposed to a "filler brick" for internal parts of the wall, or where the surface is to be covered with stucco or a similar coating, or where the filler bricks will be concealed by other bricks (in structures more than two bricks thick).
A semi-detached bay-and-gable with a front porch built at the front entrance. Semi-detached bay-and-gables from the mid-to-late 19th century typically featured a two-and-one-half-storey façade clad in brick; with a ground-floor bay window fronting the principal room and its entrance sheltered by a small porch. [9]
Free design of the ground plan – commonly considered the focal point of the Five Points, with its construction dictating new architectural frameworks. [4] The absence of load-bearing partition walls affords greater flexibility in design and use of living spaces; the house is unrestrained in its internal use.
The tegula (Greek solenes) was a plain flat tile, or a flat tile with raised edges, which was laid flat upon the roof, while the imbrex (Greek kalupter) was a semi-cylindrical roofing tile, like a half-pipe, laid over the joints between the tegulae.