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The term means "writing with fire", from the Greek pyr (fire) and graphos (writing). [2] It can be practiced using specialized modern pyrography tools, or using a metal implement heated in a fire, or even sunlight concentrated with a magnifying lens. "Pyrography dates from the 17th century and reached its highest standard in the 19th century.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Women, Fire, and Dangerous Things: What Categories Reveal about the Mind is a non-fiction book by the cognitive linguist George Lakoff. The book, first published by the University of Chicago Press in 1987, puts forward a model of cognition argued on the basis of semantics .
Fiction writing specifically has modes such as action, exposition, description, dialogue, summary, and transition. [3] Author Peter Selgin refers to methods, including action, dialogue, thoughts, summary, scenes, and description. [4] Description is the mode for transmitting a mental image of the particulars of a story.
Fire is the rapid oxidation of a material (the fuel) in the exothermic chemical process of combustion, releasing heat, light, and various reaction products. [1] [a] At a certain point in the combustion reaction, called the ignition point, flames are produced.
The name "fireside poets" is derived from that popularity; their writing was a source of entertainment for families gathered around the fire at home. The name was further inspired by Longfellow's 1850 poetry collection The Seaside and the Fireside. [3] Lowell published a book titled Fireside Travels in 1864 which helped solidify the title. [4]
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Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. [1]