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From the 14th century onwards, bagpipes start to appear in the historical records of European countries, however half the mentions come from England suggesting Bagpipes were more common in England. Bagpipes are mentioned in English literature as early as The Canterbury Tales by Geoffrey Chaucer, written between the
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia.
The earliest references to bagpipes in Scotland are in a military context, and it is in that context that the great Highland bagpipe became established in the British military and achieved the widespread prominence it enjoys today, whereas other bagpipe traditions throughout Europe, ranging from Portugal to Russia, almost universally went into ...
Canntaireachd (Scottish Gaelic for 'chanting'; pronounced [ˈkʰãũn̪ˠt̪ɛɾʲəxk]) is the ancient method of teaching, learning and memorizing Piobaireachd (also spelt Pibroch), a type of music primarily played on the Great Highland bagpipe.
Irish warpipes (Irish: píob mhór; literally "great pipes") are an Irish analogue of the Scottish great Highland bagpipe. "Warpipes" is originally an English term. The first use of the Gaelic term in Ireland was recorded in a poem by Seán Ó Neachtain (c. 1650–1728), in which the bagpipes are referred to as píb mhór. [1]
The pastoral bagpipe may have been the invention of an expert instrument maker who was aiming at the Romantic market. The pastoral pipes, and later union pipes, were certainly a favourite of the upper classes in Scotland, Ireland and the North-East of England and were fashionable for a time in formal social settings, where the term "union pipes ...
In Flemish, this bagpipe is also known as schäferpfeife or Doedelzak, as it is similar in appearance. The Flemish pipes have fifth or octave drones, and the fingering system is nowadays generally identical to that of the French Cornemuse du Centre, as this fingering system is very stable in tone throughout the 1.5 octave range of the pipes.
The tone of the uilleann pipes is unlike that of many other forms of bagpipes. They have a different harmonic structure, sounding sweeter and quieter than many other bagpipes, such as the Great Irish warpipes, Great Highland bagpipes or the Italian zampognas. The uilleann pipes are often played indoors, and are almost always played sitting down.