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"How Can You Mend a Broken Heart" is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar . It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Here's a list of the most relatable quotes and song lyrics about heartbreak we could find. You are going to get through this, bestie!
"Heart Healer" is a song written by John Greenebaum and Tomas Gmeiner, [1] and recorded by American country music artist Mel Tillis. It was released in December 1976 as the first single and title track from the album Heart Healer. The song was Tillis' third number one on the country chart.
Physician, heal thyself (Greek: Ἰατρέ, θεράπευσον σεαυτόν, Iatre, therapeuson seauton), sometimes quoted in the Latin form, Medice, cura te ipsum, is an ancient proverb appearing in Luke 4:23. There, Jesus is quoted as saying, "Ye will surely say unto me this proverb, 'Physician, heal thyself': whatsoever we have heard ...
The Healing Game is the twenty-sixth studio album by Northern Irish singer-songwriter Van Morrison, released in 1997 by Polydor. It reached the Top Ten in four countries, and the Top Twenty in three more. Following two overtly jazz albums, it saw Morrison adding blues and a pop sensibility. [1]
The Last Dinner Party's much-hyped debut album, "Prelude to Ecstasy," over-delivers on the promise of excitement and novelty. Although several of its highlights were released ahead of time as ...
"That's What Friends Are For" is a song written by Burt Bacharach and Carole Bayer Sager. It was first recorded in 1975 by The Stylistics, then covered by Rod Stewart in 1982 for the soundtrack of the film Night Shift, but it is best known for the 1985 version by Dionne Warwick, [1] Elton John, Gladys Knight, and Stevie Wonder.