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Fantasia promoted "I Made It" through live performances. [3] [18] [19] She first performed it during the first in a series of live concerts Broadcast by the cable TV channel BET on July 28. Billboard's Lauren Craddock praised Fantasia for "embrac[ing] her gospel background". [18] Fantasia sang "I Made It" on Good Morning America on July 25, 2016.
Word spread in the Gospel music community, leading to several established pop Gospel artists appearing on the album, as well as faculty and staff of the university. [2] The Aristocrat of Bands submitted the recording for Grammy consideration in August 2022, in the category Best Gospel Roots Album.
In 1980 Joyce Cobb had a single-release funk remake of "How Glad I Am": recorded at the Shoe Productions studio in Memphis, this version spent 13 weeks in the Record World Singles 101-150 chart, rising to No. 101 in September 1980 in which month Cobb's single ranked in the Bubbling Under Hot 100 Singles chart in Billboard and also in Billboard ...
Writing for British newspaper The Guardian, Laura Barton discussed SongMeanings in an article focusing on the problem of mishearing lyrics in a song, the inability to determine what the lyrics are due to a lack of sleevenotes when downloading songs, and whether or not it is even essential to know the lyrics in order to understand a song.
British rock group Cream reworked "I'm So Glad" using an electric blues rock arrangement. In September 1966, they recorded it for their debut album, Fresh Cream. [3] The song was a feature of their live performances and a recording from October 1968 is included on the album Goodbye (1969). [3]
So Glad I Know is the first gospel album by American R&B singer Deniece Williams, released in 1986 on Sparrow Records. [2] The album reached No. 6 on the Billboard Top Christian Albums chart and No. 7 on the Billboard Top Gospel Albums chart. [3] So Glad I Know was also Grammy nominated in the category of Best Gospel Performance, Female. [4]
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
The song is Sapp's biggest success so far on American music charts. The song peaked at #82 on the Billboard Hot 100 chart in the U.S. It also topped the Billboard Hot Gospel Songs chart and reached the top twenty on the Billboard Hot R&B/Hip-Hop Songs listing. The song topped the gospel chart for 46 weeks. [1]