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  2. Embroidery - Wikipedia

    en.wikipedia.org/wiki/Embroidery

    While similar to counted thread in regards to technique, in canvas work or needlepoint, threads are stitched through a fabric mesh to create a dense pattern that completely covers the foundation fabric. [20] Examples of canvas work include bargello and Berlin wool work. Embroidery can also be classified by the similarity of its appearance.

  3. Celtic cross stitch - Wikipedia

    en.wikipedia.org/wiki/Celtic_Cross_Stitch

    Celtic cross stitch is a style of cross-stitch embroidery which recreates Celtic art patterns typical of early medieval Insular art using contemporary cross-stitch techniques.

  4. Aida cloth - Wikipedia

    en.wikipedia.org/wiki/Aida_cloth

    Aida cloth (sometimes called Java canvas [1]) is an open, even-weave fabric traditionally used for cross-stitch embroidery. This cotton fabric has a natural mesh that facilitates cross-stitching and enough natural stiffness that the crafter does not need to use an embroidery hoop .

  5. Victorian decorative arts - Wikipedia

    en.wikipedia.org/wiki/Victorian_decorative_arts

    Frederick Walton who created linoleum in 1863 created the process for embossing semi-liquid linseed oil, backed with waterproofed paper or canvas. It was called Lincrusta and was applied much like wallpaper. This process made it easy to then go over the oil and make it resemble wood or different types of leather.

  6. Textile printing - Wikipedia

    en.wikipedia.org/wiki/Textile_printing

    Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns. [1] In printing, wooden blocks, stencils, engraved plates, rollers, or silkscreens can be used to place colours on ...

  7. Bargello (needlework) - Wikipedia

    en.wikipedia.org/wiki/Bargello_(needlework)

    In this technique, the canvas is first divided diagonally into quarters. Then the same motif is worked in horizontal stitches in two opposite areas, and vertical stitches in the remaining two areas. The resulting design frequently resembles a kaleidoscope effect. Kaestner describes the origin of the technique:

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