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Pages in category "Films directed by Hirokazu Kore-eda" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes .
Hirokazu Kore-eda was born on 6 June 1962 [4] in Nerima, Tokyo, Japan. He is the youngest of three children, with two older sisters. [5] From a young age, Kore-eda would spend time watching movies with his mother. He said through an interpreter, "My mother loved films! She adored Ingrid Bergman, Joan Fontaine, Vivien Leigh. We couldn't afford ...
Included on the list are charts of the top box-office earners (ranked by both the nominal and real value of their revenue), a chart of high-grossing films by calendar year, a timeline showing the transition of the highest-grossing film record, and a chart of the highest-grossing film franchises and series. All charts are ranked by international ...
“Monster,” Hirokazu Kore-eda, Japan Described by Variety critic Peter Debruge as a “convoluted portrait of a pre-teen in turmoil,” Kore-eda ‘s Palme d’Or best script and Queer Palm ...
The following table lists known estimated box office ticket sales for various high-grossing films that have sold at least 100 million tickets worldwide. Note that some of the data are incomplete due to a lack of available admissions data from a number of box office territories. Therefore, it is not an exhaustive list of all the highest-grossing ...
The site's consensus reads: "Hirokazu Kore-eda's film may seem modest at first, but this family drama casts a delicate, entrancing spell". [2] Metacritic ranked the film at 89%, which was based on 21 reviews. [3] In a Chicago Sun-Times review, Roger Ebert gave the work four stars and touted that Kore-eda is an heir of Yasujirō Ozu. [4]
The Academy Award for Best International Feature Film (formerly known as Best Foreign Language Film prior to 2020) is handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States of America with a predominantly non-English dialogue track.
The director of "Shoplifters" has a "Rashomon"-like narrative in store, one that doubles back, shading in details that connect students, teachers and parents.