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Chinese musicology is the academic study of traditional Chinese music. This discipline has a very long history. This discipline has a very long history. Traditional Chinese music can be traced back to around 8,000 years ago during the Neolithic age.
Chinese philosophers took varying approaches to music. To Confucius, a correct form of music is important for the cultivation and refinement of the individual, and the Confucian system considers the formal music yayue to be morally uplifting and the symbol of a good ruler and stable government. [7]
Because the History of Song was prepared in a hurry and was the work of many editors, it contains a number of unavoidable errors and contradictions; [2] for example, an individual with two biographical entries is Li Xijing (李熙靖), who appears in chapter 116 of the historical biographies section then again in chapter 222. The work also ...
Shi'er lü (Chinese: 十二律; pinyin: shí'èr lǜ; lit. '12 pitches'; Mandarin pronunciation: [ʂɻ̩˧˥ aɚ˥˧ ly˥˩]) is a standardized gamut of twelve notes used in ancient Chinese music. [1] It is also known, rather misleadingly, as the Chinese chromatic scale; it was only one kind of chromatic scale used in ancient
The full title of the text is Zhouyi cantong qi, which can be translated as, for example, The Kinship of the Three, in Accordance with the Book of Changes. According to the well-established view in China, the text was composed by Wei Boyang in the mid-second century CE, and deals entirely with alchemy, in particular with Neidan (or Internal ...
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Much of Chinese music history and theory remains unclear. [8] Chinese theory starts from numbers, the main musical numbers being twelve, five and eight. Twelve refers to the number of pitches on which the scales can be constructed. The Lüshi chunqiu from about 238 BCE recalls the legend of Ling Lun.
An important work for the study of historical Chinese phonology, it testifies many phonological changes from Middle Chinese to Old Mandarin, such as the reduction and disappearance of final stop consonants and the reorganization of the Middle Chinese tones. [1] Though often termed a "rime dictionary", the work does not provide meanings for its ...