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Feu'u emigrated to New Zealand in 1966 after growing up in the village of Poutasi, Western Samoa. [2] He always wanted to be an artist and noted the difference of how art was viewed between Samoa and New Zealand, with 'beautifully made, functional canoes and houses' being art in Samoa and in New Zealand art was 'something extra special not to be touched'.
Dan Taulapapa McMullin (born May 23, 1957) is an American Samoan artist, known for their poetry, visual art and film. Their major themes are their indigenous Samoan heritage and their fa'afafine gender identity. [1] McMullin has been creating literary and artistic works for over 35 years, and has received numerous awards, fellowships, and grants.
Samoan LGBTQ artists (2 P) P. Samoan painters (4 P) S. Samoan sculptors (1 P) Pages in category "Samoan artists" The following 16 pages are in this category, out of ...
Pages in category "Samoan painters" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. F. Fatu Feu'u; Sia Figiel; L.
Contemporary art, abstract expressionism Michael "Michel" Cliff Tuffery MNZM [ 1 ] (born 27 May 1966) is a New Zealand artist of Samoan, Tahitian and Cook Islands descent. He is one of New Zealand's most well known artists and his work is held in many art collections in New Zealand and around the world.
Mary Jewett Pritchard, 1944. Mary Jewett Pritchard (September 17, 1905 – June 6, 1992) was an American Samoan textile artist. Pritchard is widely credited with reviving the art of siapo, the Samoan version of tapa, handmade cloth created by pounding the bark of plants.
Shigeyuki "Yuki" Kihara (born 1975) is an interdisciplinary artist of Japanese and Samoan descent. In 2008, her work was the subject of a solo exhibition at the Metropolitan Museum of Art in New York; it was the first time a New Zealander and the first time a Pacific Islander had a solo show at the institution. [1]
His work is informed by his Samoan heritage and includes performance, film, painting, installation and sculpture. [1] In conversation about his work Fale Sā with art historian Caroline Vercoe, Ioane states, Sacred places are not necessarily a church, but it's a place where one likes to be in, a place of affirmation. [ 2 ]
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