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French-language version of Paramount on Parade: Paris by Night: Henri Diamant-Berger: Armand Bernard, Marguerite Moreno, Suzet Maïs: Comedy [63] The Prosecutor Hallers: Robert Wiene: Jean-Max, Colette Darfeuil: Drama: French version of the German film The Other: The Road Is Fine: Robert Florey: André Baugé, Léon Bary: Musical: Le Roi des ...
A. À Nous la Liberté; À propos de Nice; The Abbot Constantine (1933 film) Abduct Me; Abused Confidence; The Accomplice (1932 film) Accused, Stand Up! Aces of the Turf
1930 United States Du Barry, Woman of Passion: Sam Taylor: Romance, Drama. Based on the play Du Barry. Madame du Barry: 1930 United States Captain of the Guard: John S. Robertson Pál Fejös: Drama, Musical, Romance, War. 1931 United Kingdom Madame Guillotine: Reginald Fogwell: History, Romance. 1931 Weimar Republic Danton: Hans Behrendt: Drama ...
Lady Killer (French: Gueule d'amour) is a 1937 French drama film directed by Jean Grémillon and starring Jean Gabin, Mireille Balin and Marguerite Deval.It has been classified as both a film noir [1] [2] and an entry into the poetic realist group of films of the late 1930s.
All Quiet on the Western Front (1930 film) All That's Not Worth Love; Aloha, le chant des îles; Alone (1931 French film) American Love (film) Amok (1934 film) Amourous Adventure; Angelica (1939 film) Anne-Marie (film) Antoinette (film) Antonia (1935 film) Ariane, jeune fille russe (film) Arlette and Her Fathers; Arsene Lupin, Detective; The ...
The film is a remake of the 1921 film of the same name directed by Jacques Feyder. [2] After Feyder refused to create a sound remake of L'Atlantide, Pabst took to directing the film. [3]
La Chienne (English: The Bitch) is a 1931 French film by director Jean Renoir.It is the second sound film by the director and the twelfth film of his career. The film is based on the eponymous story "La Chienne" by Georges de La Fouchardière. [1]
The film was previewed to French film distributors at the Palais Rochechouarton on 25 April 1934. [26] The screening was disastrous and Gaumont took control of the film. Jean Pascal called the original cut "a confused, incoherent, willfully absurd, long, dull, commercially worthless film."
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