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The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of Lyrical Ballads, is a poem that recounts the experiences of a sailor who has returned from a long sea voyage.
A statue of the Ancient Mariner with the albatross hung from his neck at Watchet Harbour, Somerset, England, unveiled in September 2003 as a tribute to Coleridge. The Rime of the Ancient Mariner, a poem by Samuel Taylor Coleridge that was first published in 1798, has been referenced in various works of popular culture.
In the poem The Rime of the Ancient Mariner, an albatross follows a ship setting out to sea, which is considered a sign of good luck. However, the titular mariner shoots the albatross with a crossbow, an act that will curse the ship and cause it to suffer terrible mishaps.
Coleridge's poem "The Rime of the Ancient Mariner." The lengthy poem was originally published in 1798's "Lyrical Ballads," often said to mark the beginning of the Romantic movement in British ...
The Rime of the Ancient Mariner "It is an Ancient Mariner" 1797-98 1798 Lyrical Ballads Sonnets attempted in the Manner of Contemporary Writers "Pensive at eve on the hard world I mus'd," 1797 1797, November Parliamentary Oscillators "Almost awake? Why, what is this, and whence," 1798 1798, January 6 Christabel. "The first part of the following ...
However, Coleridge used these elements in poems such as The Rime of the Ancient Mariner (1798), Christabel and Kubla Khan (published in 1816, but known in manuscript form before then) and certainly influenced other poets and writers of the time. Poems like these both drew inspiration from and helped to inflame the craze for Gothic romance.
Most of the poems in the 1798 edition were written by Wordsworth, with Coleridge contributing only four poems to the collection (although these made about a third of the book in length), including one of his most famous works, The Rime of the Ancient Mariner.
Even King’s oft-derided poetry is given two poignant outings. “Tommy” is a free-verse tribute to the Counterculture, while “The Bone Church” is a gore-streaked take on "The Rime of the ...