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Though Appalachian and African American folk music became the basis for most of American popular music, the United States is home to a diverse assortment of ethnic groups. In the early 20th century, many of these ethnic groups supported niche record industries and produced minor folk stars like Pawlo Humeniuk , the "King of the Ukrainian ...
Garland Encyclopedia of World Music, Volume 3: The United States and Canada. Garland Publishing. ISBN 978-0-8240-4944-7. Garofalo, Reebee (1997). Rockin' Out: Popular Music in the USA. Allyn & Bacon. ISBN 978-0-205-13703-9. Gillett, Charlie (1970). The Sound of the City: The Rise of Rock and Roll. cited in Garofalo. Outerbridge and Dienstfrey.
Music history of the United States in the late 19th century; Music history of the United States (1900–1940) 1942–1944 musicians' strike; Music history of the United States in the 1950s; Music history of the United States in the 1960s; Music history of the United States in the 1970s; Music history of the United States in the 1980s
American patriotic music is a part of the culture and history of the United States since its foundation in the 18th Century. It has served to encourage feelings of honor both for the country's forefathers and for national unity. [ 1 ]
In New England, the music was very religious and was vitally important in the rising of American music. The migration of people southward led to the settling of the Appalachian Mountains. There many poor Europeans inhabited and brought country blues and fiddling. As music spread, the religious hymns were still just as popular
A twelve-inch Capitol Records gramophone record. The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl (polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side.
In the 1890s, more sophisticated African-American styles of the cakewalk and then ragtime music started to become popular. Originally associated primarily with poor African Americans, ragtime was quickly denounced as degenerate by conservatives and the classically trained establishment.
William Billings' The New-England Psalm-Singer is the first compilation of entirely American music and the first compiled by a native-born American to be published, [102] first major publication by a singing master, [101] and the first tunebook in the country dedicated to the music of a single composer.