Search results
Results from the WOW.Com Content Network
Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art Le Gourmet, 1901, National Gallery of Art, Washington, D.C. Pedro Mañach, 1901, National Gallery of Art, Washington, D.C. Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow Pablo Picasso, 1901, Portrait de ...
The woman's face is hidden, so the emphasis of the piece rests on the woman's nude body. [10] Degas included many works of female nudes bathing in the last Impressionist exhibition in 1886. [12] Nine of Degas's pastel drawings of women at their bath were exhibited by Theo Van Gogh at Galerie Boussod et Valadon in 1888. [4]
Woman in a Tub (or The Tub) is one of a suite of pastels on paper created by the French painter Edgar Degas in the 1880s and is in the collection of the Hill-Stead Museum in Connecticut. The suite of pastels all featured nude women "bathing, washing, drying, wiping themselves, combing their hair or having it combed" and were created in ...
The painting shows a woman with her back turned, with a bare torso, by an oval mirror which reflects her face and the top of her chest. Her left hand rests on a green dressing table. On the table there is a box with an open lid. With her right hand she has lifted and arranged her brown hair, which is tightly set with a centre parting and ...
Woman Sitting on a Basket with Head in Hands: March 1883 Art Institute of Chicago [4] The Hague F 1069 JH 325 Woman Sitting on a Basket with Head in Hands: March 1883 Kröller-Müller Museum, Otterlo [5] The Hague F 1060 JH 326 Soup Distribution in a Public Soup Kitchen: March 1883 Van Gogh Museum, Amsterdam The Hague F 1020a JH 330 The Public ...
File: Pablo Picasso, 1904, Woman with a Helmet of Hair, gouache on tan wood pulp board, 42.7 x 31.3 cm, Art Institute of Chicago.jpg
A Saturday afternoon at the amusement park quickly turned to tragedy for one Omaha family when 11-year-old Elizabeth "Lulu" Gilreath's long hair got caught in a moving mechanism on a spinning ride ...
[9] He described his attraction to "all her German qualities, her strong, determined stride, that Loden coat, the braided blond hair". [10] Art historian John Wilmerding wrote, "Such close attention by a painter to one model over so long a period of time is a remarkable, if not singular, circumstance in the history of American art". [ 1 ]