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The Grammy Award for Best Contemporary Classical Composition is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, [1] to composers for quality works of contemporary classical music.
Concerto for violin and orchestra opus 60 (2013), Concerto for piano and orchestra opus 91 (2021), The Big Bang and Creation of the Universe opus 52 (2009), Etudes for piano opus 66 & opus 86 Jóhann Jóhannsson: 1969: 2018: Icelandic: And in the Endless Pause There Came the Sound of Bees: Martha Callison Horst: 1969: American
Eclectic, with influences ranging from jazz, popular music, avant-garde procedures, and traditional Japanese music; strongly influenced by Debussy and Messiaen Eduard Tubin 1905
Bill Bailey; Burt Bacharach; Alex Band (The Calling); Anita Baker; Tony Banks; Steve Barakatt; Sara Bareilles; Samantha Barks; Gary Barlow (); Joshua Bassett; Mark Batson; Eric Bazilian (The Hooters)
This is an alphabetized list of notable solo pianists who play (or played) classical music on the piano. For those who worked with other pianists as piano duos, see List of classical piano duos (performers). For a list of recorded classical pianists, see List of classical pianists (recorded)
London Contemporary Orchestra; London Sinfonietta; Melos Ensemble; MusikFabrik; Nash Ensemble; New York New Music Ensemble; Newband; Nouvel Ensemble Moderne; Orchestra 2001; Oslo Sinfonietta; Les Percussions de Strasbourg; Philip Glass Ensemble; Piano Circus; Present Music; Project Trio; Psappha New Music Ensemble; Quince Ensemble; Red Note ...
Pages in category "Contemporary classical compositions" The following 151 pages are in this category, out of 151 total. This list may not reflect recent changes .
The Grammy Award for Best Classical Instrumental Solo was first awarded during the annual Grammy Awards ceremony in 2012. It combined the previous categories for Best Instrumental Soloist(s) Performance (with orchestra) and Best Instrumental Soloist Performance (without orchestra) .
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