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Osamu Suzuki (鈴木 治, Suzuki Osamu) (1926-2001) was a Japanese ceramicist and one of the co-founders of the artist group Sōdeisha (eng. "Crawling through Mud Association"), a Japanese avant-garde ceramics movement that arose following the end of the Second World War and served as a counter to the traditional forms and styles in modern Japanese ceramics, such as Mingei.
(Like going) from playing classical music to suddenly doing some avant garde noise music,” Matisse says. He tries to run an ethical business To Matisse, East Fork Pottery was always going to be ...
[7] [8] Yagi was also involved in avant-garde art activities outside of pottery and ceramics – for example, he was a founding member of the Gendai Bijutsu Kondankai (Contemporary Art Discussion Group) in 1952. [9]
Pablo Picasso 1962. Avant-garde (French pronunciation: [avɑ̃ ɡaʁd]) is French for "vanguard". [1] The term is commonly used in French, English, and German to refer to people or works that are experimental or innovative, particularly with respect to art and culture.
Sodeisha was formed in opposition to the Mingei or folk-craft movement that was the dominant ceramic style and philosophy in mid-20th century Japan, and also in reaction to the aesthetic of rusticity associated with the tea ceremony inspired Shino and Bizen ceramics of the Momoyama Revival pottery of artists such as Kaneshige Toyo and Arakawa ...
Untitled (Two Women) earthenware with glazes by Beatrice Wood, 1990 Beatrice Wood (March 3, 1893 – March 12, 1998) was an American artist and studio potter involved in the Dada movement in the United States; she founded and edited The Blind Man and Rongwrong magazines in New York City with French artist Marcel Duchamp and writer Henri-Pierre Roché in 1917. [3]
Jun Nishida in front of his kiln. Jun Nishida (西田潤, Nishida Jun, 1977 – March 26, 2005) was a Japanese ceramicist.He is best known for his massive conceptual pottery pieces, which experiment with the material capacities of clay and the imaginative forms that ceramics could take amid the intense thermochemical conditions of the kiln.
Fukami has also mentioned that as a young artist, he was inspired by the Sōdeisha potters, a post-war Japanese avant-garde ceramic movement headed by potter Kazuo Yagi (1918–1979). Fukami describes his connection to these abstract ceramicists as instinctual and intimate, using the Japanese term akogare , or a "yearning for," to describe ...
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